The problem though is that Clara and Wieland really seem to have no society bigger than their small interactions within their houses and with Pleyel and Wieland analysis, their only acquaintances. Two centuries on, Wieland stands as a bravura act of literary channelling, a fierce blur of primal and societal anxieties.
He says that Theodore should not have listened to the voices, and Theodore suddenly comes to his senses. They call out on the steps that lead to the family temple and hatch murder plots from behind the closed door of the bedroom closet.
An account of this multiple murder would later catch the eye of an aspiring young writer named Charles Brockden Brown. Their father teaches himself religion and formulates his own beliefs based on his own unique understanding of the Christian Bible.
Brown, like Carwin, speaks using Clara's voice. The use of spontaneous combustion especially has been pointed at as a contrived element. She finds Carwin in her closet.
Then one night Wieland strolls outside on an errand and hears a voice call to him in the gloom, warning that there is danger in his path. Though he still cares for her, Pleyel severs all ties with Clara. At her house, she meets Carwin. They pour poison into Pleyel's ear, convincing him that Clara has been unfaithful.
Clara overhears men in her closet, apparently plotting to murder her.